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His father, sister, brother, and granddaughter also killed themselves. Numerous concussions, self-medication with prescription drugs, and decades of alcoholism didn’t help, but depression and suicide ran in the family. Rounds of electroshock therapy prescribed for depression had caused a loss in Hemingway's short-term memory, rendering him unable to write. It wasn’t released until 1986, 25 years after he shot himself in his home in Ketchum, Idaho. Hemingway said the book was “too sexually adventurous” to be published in his lifetime, and he was right. You're my wonderful Catherine." The two meet and fall in love with Marita, who becomes a proto-polyamorous lover to both. She cut her hair "cropped as short as a boy's." Later in bed, when David calls her "girl" Catherine tells him, "Don't call me girl." Then she asks, "Will you change and be my girl and let me take you? I'm Peter. One day Catherine returns to the hotel with a surprise for David.
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David, an author and war veteran, and Catherine spend their days eating, tanning, drinking, and having sex. The book focuses on a couple honeymooning in the French Riviera in 1927 (the spot of Hemingway’s honeymoon with his second wife, Vogue editor Pauline Pfeiffer). In the film, the writer Michael Katakis says the novel exposes things that “some people would find shocking” about Hemingway. The Garden of Eden is a posthumously published novel that overlaps, in many ways, with Hemingway’s life – including the matching hair and sex play. It certainly opens a door to that consideration.” “This is a really important question, something's clearly happening in that diary entry and in Garden of Eden.
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Was the gender swapping simply code for Hemingway’s enjoyment of every sort of thing outside all tribal law – like anal penetration? Does “being the girl” just mean being the one penetrated? Was Hemingway an early, literary proponent of pegging? I loved feeling the embrace of Mary, which came to me as something quite new and outside all tribal law. In return she makes me awards, and at night we do every sort of thing which pleases her and which pleases me. She loves me to be her girls, which I love to be, not being absolutely stupid. If you should become confused on this, you should retire. The film voices a condensed excerpt from Hemingway’s entry in Mary’s diary while the two were on safari in East Africa in 1953: She has always wanted to be a boy and thinks as a boy without losing any of her femininity. He “wanted his wife to be both completely obedient and sexually loose.” She “enjoyed the sexual part, cut her hair short and bleached it platinum, because it excited him, and sometimes pretended that she was a boy and he was a girl,” the narrator (longtime Burns collaborator Peter Coyote) tells us. In her journal, Mary wrote that he was the best man she’d been with in bed. Was Hemingway gay or straight? He was a fetishist “He really had a thing about androgyny and he liked to switch sex roles in bed, and he tells Mary, ‘Let’s play around, I’m gonna call you Pete, you call me Catherine.’” In the film, biographer Mary Dearborn calls him “brave” for his “sexual preferences” and admission to an “intense desire” for role play. This quest for nuance is key in understanding Hemingway’s marital bed. That black-white, good-bad labelling may be the de rigueur activity, but there's nothing binary about the world.” “He shows how incredibly difficult it is to have an on-off switch.
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“Hemingway is monstrous at times and there's never a moment in the film where we let him off the hook.” The writer’s epic and, ultimately, tragic life allowed him to create literature – considered to be among the most influential in the English language – that Burns says belies the imprisoning masculinity that he’s known for. “For us it's about making things more complex,” Burns tells me, on a call from his home in Walpole, New Hampshire. At a cultural moment which favours simplistic interpretations of iconic figures as villains or heroes, American filmmakers Ken Burns and Lynn Novick muddy the waters of the fallen literary celebrity in Hemingway, their non-hagiographic, six-hour examination of the contradiction between the myth and the man. The outsized writer of stripped-back prose was also, a new documentary argues, an explorer of gender fluidity in the bedroom – both in his literature and his life. Even for his time, Ernest Hemingway was masculinity in hyperbole. John F Kennedy Presidential Library and Museum, Bostonīullfight-lover.